La Fontaine – peintre des animaux

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Introduction
Jean de La Fontaine vivait au XVIIe siècle. Il essayait de montrer la société de son époque telle quelle était. Ce fabuliste est une personnalité très intéréssante, donc, d’abord, on va parcourir très rapidement sa biographie (qui est inséparable des fables). Ensuite, on va dévélopper l’idée du monde des fables: le monde animalier et le monde humain (en quoi ils diffèrent et se ressemblent). Après suivent les analyses des fables qui reflètent très précisément le sujet analysé et qui évoquent des descriptions qui procurent l’idée des animaux qui représentent l’homme. En évoquant l’importance du rythme et de la rime on va présenter des fragments de la fable “Le Cerf se voyant dans l’eau”. Comme la longueur des descriptions varie, on a choisi deux fables “Le Cochet, le Chat et le Souriceau” et “Le Rat de la ville et le Rat des champs” pour préciser cette différence. Dans la première fable des descriptions sont plus longues que dans la deuxième. Cela dépend de vouloir-dire de l’auteur, sur quoi il s’appuie, et de ce qu’il veut souligner. Le dernier aspect examiné, c’est la Cour du roi au XVIIe siècle et la façon d’imiter et d’utiliser les personnages animaliers. Le roi de la Cour est le Lion qui se présente dans les fables dès le premier livre jusqu’au dernier. En parcourant les fables on remarque le progrès de ce personnage. Au début il est simplement le roi des fôrets et vers la fin il ressemble plus au monarque réel du royaume. Afin de comparer les deux personnalités du Lion on va analyser trois fables. Les deux premières, “Le Lion et le Moucheron” et “Le Lion est devenu vieux”, démontrent la force et l’échec absolu de l’animal alors que la fable “La Cour du Lion” est tout-à-fait différente. On y trouve le Lion-Prince. Continue reading La Fontaine – peintre des animaux